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The book is of special value both to software programmers working in Max/MSP/Jitter and to music educators looking to supplement their lessons with interactive instructional tools, develop adaptive instruments to aid in student composition and performance activities, and create measurement tools with which to conduct music education research.Ī groundbreaking, step-by-step approach to empowering the creativity of music educators and music students through interactive computer software design., Praise for the First Edition "A groundbreaking, step-by-step approach to empowering the creativity of music educators and music students through interactive computer software design." -from the Foreword by David Elliott, Professor of Music and Music Education, New York University"Max has become a major player in the world of music making and VJ Manzo's book is perfect for those who want to become fluent with the language. It also includes a variety of additional projects as part of the final three project chapters. As the book progresses, and as the individual's knowledge of the language grows, the projects become more sophisticated.This new and expanded second edition brings the book fully up-to-date including additional applications in integrating Max with Ableton Live.
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The book does not require any prerequisite programming skills, but rather walks readers through a series of small projects through which they willimmediately begin to develop software applications for practical musical projects. The book also discusses ways tointeract with software beyond the mouse and keyboard through use of camera tracking, pitch tracking, video game controllers, sensors, mobile devices, and more. Through clear, step-by-step instructions illustrated with numerous examples of working systems, the book equips readers with everything they need to know in order to design and complete meaningful music projects. Manzo provides a user-friendly introduction to a powerful programming language that can be used to write custom software for musical interaction.
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Mellon Foundation, Howard Gilman Foundation, Jerome Foundation, Fan Fox and Leslie R. The International Contemporary Ensemble’s performances and commissioning activities during the 2021-22 concert season are made possible by the generous support of our board of directors and many individuals as well as The Andrew W. The performance will last for 55 minutes without intermission. Audience members will be approximately thirty feet from the performers. They will perform without masks at their discretion. Performers on this program are all vaccinated and tested. Special guest Suzanne Farrin joins with her magical ondes Martenot playing on Lars Peter Hagan's Studies in Sadness! It’s a throwback to light organs of the early 20th century and looks forward to new options for today. On November 5th, experience a showcase of Ensemble members’ work with Nicholas Houfek’s ColorSynth, featuring improvisations, compositions, and more synthesizers! The ColorSynth is a software interface built in Max/Msp that converts the musical pitch from an input into a specifically mapped color of light. Just make sure to RSVP above if you will join us in-person or online. Not able to make it in-person? Don’t fret! We are also live-streaming the performance. To see the program/register for the November 4th show, click here. In November, we are back at Target Margin with a new installation by Nathan Davis, which explores geologic time with ready-to-use building materials, collaborations with Nicholas Houfek’s ColorSynth, Phyllis Chen’s Tone Grove, and more! See more details for November 5th below.